Wednesday, January 30, 2019

Is Prosecco Unethical? The Latest Debate...

A friend of mine shared the following Guardian article with me on Facebook today:


And it bugged me so much, I was immediately spurred to a verbose reply, which quickly veered this way and that way as I attempted to convey all the sudden feels.

Go take a peek at the article, and then come back.

Okay, so my first thought: has Prosecco's popularity caused over-production? Absolutely. But this is not a new trend. Prosecco is Italy's largest DOC (controlled area of production,) producing over 300 million bottles a year. There are very high permitted yields to be able to reach that number. What is the downside of high yields? Loss of quality. Do higher-yielding vines cause more erosion than lower-yielding vines? Questionable. In the Northern Rhône in France, which has quite low production and yields, soil erosion is a big problem, especially in Hermitage. (There are areas of the Northern Rhône that are so steep and so eroded that they have a pulley system with carts to tote soil back up the hill after it's cascaded down!) Perhaps elevated production means increased human and mechanical traffic, and that might affect erosion, but there's no way to unequivocally know. (I don't have time or money to do a study, but would be happy to, once I'm done with my Diploma, if anyone wants to fund me!)

Then -- the article mentions possible fixes, like the planting of grass in-between rows. They question if producers would embrace that. HELLO: wine-grape growers have used cover crops since the dawn of winemaking for various reasons. Cross-pollination, encouraging useful pests, indicator crops, etc. So, also not a new trend. If they feel soil erosion is a big problem, I'm sure planting grass to halt it would be a no-brainer. And let's talk about nutrients for a minute... poorer soils that cause the vines to struggle actually create better wine (if wine vines get everything they need, they're not really motivated to produce greatness, kinda like some humans.) Common fertilizers can replace nutrients to a degree that they will nourish the vine but not spoil it rotten. And the question of pesticides moving downstream? That would happen in ANY vineyard near a water source that uses pesticides.

There are holes all over this article, and it's no wonder that the paper it's based on has not yet been peer-reviewed. So here's the thing: if you REALLY want to be an ethical consumer of wine, here are a few things you can do.

  • Buy wine from sustainable and/or organic producers.
These producers embrace practices both in the vineyard and the winery that reduce their carbon footprint and treat the environment with care. 
  •  Seek out wines with alternative packaging.
The thing is, glass is HEAVY. And bulky. So shipping it all over the world causes more carbon emissions, and uses more fuel. Unfortunately, many wines with alternative packaging are associated with lower-quality because it's all about saving money on the production end, but movement is afoot. 
  • Recycle your wine bottles.
This should go without saying, but if you're consuming wine in a glass bottle, you'd better be recycling that baby when it's empty!
  • Seek out individual producers.
Wines made by many big brands or producers may be easy to find and are recognizable in the supermarket, but a lot of them are such large-scale operators that they sacrifice quality to quantity. This also means occasional unscrupulous activities (like the addition of grape concentrate Mega Purple to dye the wine's color to something consumers might find more appealing and to cover up "off" flavors) and lack of attention to detail in the vineyard. Better to go with a smaller producer who is more hands-on and aware of how every step in the winemaking process affects his or her product. 
Image result for prosecco

So don't banish Prosecco to the "don't buy" list just because of this article. But do look for quality producers and learn more about the way they grow grapes and make wine, in Prosecco and in every wine region you "frequent." 

And just so you know, the Prosecco consortium is very concerned with sustainability.  


Cheers!


Friday, January 11, 2019

Bringing GENEVER Back

This article originally appeared on www.snooth.com October 25, 2018.


Is there anything more Dutch than bicycling over cobblestone streets alongside a canal? Yes: ending that bike trip with a glass of genever. This Wineau found herself in the Netherlands recently, and while there is a burgeoning wine region there—I had a surprisingly lovely Dutch Auxerrois my first night—it’s clear the true spirit of the Netherlands is its signature beverage, genever.

[Genever production in a nutshell: the malt base is typically from one or a blend of grains like rye, wheat, and corn, usually triple-distilled to between 40-80% abv. The grains used add different levels of cereal notes and weight. Neutral spirit is important as well (comprising most of the base for the new style,) as it imparts no flavor and can reach very high alcohol. Then botanicals, spices, and/or fruits are processed, either by maceration or distilling. The master distiller will blend all components and they are left to “marry,” usually for a number of weeks. Then there is the option to age in casks, which can add elements from the barrels’ original use (Bourbon, Sherry, wine, etc.,) plus a warmer, woodier essence. All of the many choices the master distiller makes helps define the house style, but also, there can be multiple offerings from each house, showcasing different styles or flavors.]

Genever (pronounced juh-NEE-ver) is an artisanal spirit with an intricate history and versatility. What’s tricky is that sometimes genever can seem like gin (it actually predates what we now call gin,) but sometimes it can seem like scotch, depending on the style of production. And there is an enormous range of flavors from whatever array of botanicals each distiller uses. What all genevers do share is the use of some percentage of malt spirit for the base, and they all must include juniper berries in the botanical blend. If there is a low amount of malt spirit and a clean, fresh feel, you’ll have a new style genever, which are gin-like and great in cocktails. If there is a higher percentage of malt and some oak aging, you’ll have an old style genever, which is on the whisky spectrum and makes for enjoyable sipping. 

Not only does genever offer something for every spirit-lover, but it has a long history with the U.S. America’s first published bartender’s guides show that, until the 1880s, “gin” was Dutch-style (so it was actually genever,) and about a quarter of all cocktail recipes at that time were based on the spirit. So, America’s spirit-ual journey pretty much began with genever.

If you’re a die-hard Jameson drinker, or you rarely stray from your Tanqueray and tonic, stop reading now. But if you love exploring new beverages, and you’re fascinated by the individual stamp distillers can place on their product (often tracing back many generations,) weaving personal histories and personalities into the mix, genever may quickly become your new favorite go-to. 

Genever even has its own ritual: a “kopstootje,” or, “head-butt.” (Pronounced kop-stow-che.) This is a ceremony involving a glass of genever filled completely to the brim alongside a beer. You squat down with your hands behind your back and slurp the first bit of genever. Then you can stand, and have a sip of beer as a chaser. Hands are allowed for the rest of your beverage enjoyment; the first sip is what’s important. The ritual’s name comes from the fact that you might “head-butt” the glass of beer when you’re maneuvering to attack that first mouthful of genever. One of my colleagues likened the process to “Netherlands Yoga,” but it’s pretty easy to get the hang of it, especially if you’re taught by Piet van Leijenhorst, Master Distiller of Bols genever. 

There is a Bols facility in the heart of old Amsterdam, although they do most of their production outside of town (something about high quantities of incredibly flammable liquid not a great idea in the city center?) Standing beside three gorgeous copper stills, Piet offered up some glasses, which became a time travel back to the past, at the same time looking forward into the future.

Piet said the Bols 100% Malt Genever“is not genever with a lot of different taste profiles, it’s the heart of genever.” In a way, this is genever in its purest form: no mix of botanicals, just juniper berry and malt spirit, and you can taste the simplicity and power. The Bols Original Genever, with its subtle juniper and a feel of fresh, clean linen (!), has a blend of 22 distilled botanicals, with “a secret ingredient… it gives you a funny feeling on your tongue,” as Piet said with a laugh. On the other side of the spectrum was the Bols 9-Year Aged Original Genever. When they first made the Original in 2008, they put some in three bourbon barrels and just bottled them last year. It was so rich in the mouth, compact and intense, and while 57.5% alcohol, it didn’t feel “hot” at all. Delicious. Alas, that was apparently the last bottle left! (Many thank yous for sharing it, Piet.) But it definitely showcased the beauty and potential of aged genever.

Bols is quite a large distillery, and if you’re familiar with genever at all, it may very well be one of theirs. But the stories from small distilleries are just as compelling. 

The scene of the bike ride over cobblestone streets alongside a canal actually happened in Dordrecht, a small town about an hour’s drive south from Amsterdam. Myriam Hendrickx, the master distiller of Rutte, led us around the charming town like a mother duck with her wobbly ducklings trailing behind (and we hadn’t even had any genever yet.) The Rutte operation is small and family-owned, and when Myriam arrived fifteen years ago, they used original handwritten recipes, and had one computer… operating on DOS. Today, the Rutte team has gotten with the times, but they have not modernized much, in order to focus on the craft element of their genevers and spirits – even still peeling fresh oranges by hand. Downstairs in the original building there are shelves upon shelves of experiments; distillates and macerations of dozens of products. Rutte will probably always remain small, but they will never stop exploring. I loved the Rutte Old Simon Genever – one of their oldest recipes, with unusual (“Say, ‘creative,’” Myriam laughed,) botanicals giving it a pleasing funkiness. And the Rutte Single Oat Genever blew me away, with its honey cereal flavor a great example of what slightly aged genever can achieve. However, “Don’t write too much about this,” said Myriam, “we don’t have enough!” Oops. 

The next day, it was back in the car for a two-hour drive northeast for a visit to De Borgen. First up, the De Borgen 21-Year Aged Cask Aged Malt Spirit, distilled in 1998. Made from 100% barley, aged in ancient Oloroso Sherry casks, almost half of it vaporized over time. It filled my mouth with a warm flame, powerful yet delicate, with flavors of figs and caramel. And this is just one ingredient in their old-style genever. Interestingly, I also loved the De Borgen New Style Genever, with its gin-like profile (lots of juniper,) but very creamy. They used elderflower, bitter oranges, cardamom, and fennel, among others, and the citrus especially was a great counterpoint to its creaminess. At this distillery, I even got to blend my own genever! I went for a new-style profile on an old-style base: 50% malt spirit and 50% neutral, with botanicals of juniper (of course,) cucumber, grapefruit, orange blossom, and some umami from seaweed. If I do say so myself, it was pretty dang tasty; I think Laurens Speek, De Borgen’s Brand Activation Manager, was about to offer me a job. (I only have about 200ml left, but will consider taking orders.) 

The next day, exploration of genever’s character continued at Herman Jansen, located in Schiedam, where a few windmills that used to grind grain to make genever still loom over the quaint town. We sampled some products from Bobby’s, a co-production with Sebastiaan van Bokkel, who is inspired by his part-Indonesian ancestry. They describe the Bobby’s line as, “Dutch Courage Meets Indonesian Spirit,” using only 4% malt spirit with Indonesian botanicals in their genever, making Bobby’s Genever, super-floral, with cardamom, ginger ale, and lemongrass notes. It was tasty on its own, and shone in a simple cocktail for lunch. Herman Jansen gets involved in many projects – 600 so far, though not all make it to the end phase. Their own lines include Notaris, the Bartender’s Choice series, and vintage single cask offerings. Standouts were the Herman Jansen Notaris 15 Year, with its light caramel, herbs, and woody spice, and the Herman Jansen Bartender’s Choice Rome, with its fruity stone fruit and chamomile notes. But the full-on knockout was the Herman Jansen 1991 Single Cask. Ad van der Lee, distiller for both Bobby’s and Herman Jansen, took a sample out of the cask that morning (!) and we were the first to taste it. Light caramel, heady orange blossom, lavender, anise – my notes are full of stars and hearts. Alas, this is not on the market yet, but it’s worth waiting for. 

While closely associated with the Dutch, Genever production is not restricted to the Netherlands— in fact the official Geographical Indication includes Belgium and parts of France and Germany. 

Smeets is a Belgian distillery, and members of their team came to the Genever Museum in Schiedam to showcase Belgian-style genever. They bottle genevers that have spent time in Port and rum casks, which definitely impart their own flavors, but my favorite was the Smeets Whisky Cask, with its spiced caramel and bit of peat essence. Senna Meloni, traveling mixologist, led a cocktail demonstration to show how well the Smeets Extra Genever combined in a “Spicy Juniper,” an “Apple a Day,” and a “Basil Smash.” (Shout-out to all you bartenders out there: it’s definitely time to get inspired by genever in its many styles.)

I bid farewell to Amsterdam with genever flowing in my veins. How fascinating that a 500-year-old beverage has so many facets and stories; each sip is a taste of the past and an inspiration for the future. Some distillers extol the classic style, some are experimental, some focus on craft, others on technical matters. The results truly offer something for every spirit lover. So, seek out some genever for inspiration of your own, and welcome genever back to America with open arms and a thirsty palate.


All photos ©2018 Annie Edgerton, Wine Minx Media

Sunday, November 25, 2018

TOP 20 UNDER $20 OF 2018!!

My popular annual list of values is BAAAAACK! It's always exciting to find a wine you love that is an excellent value, and these all are amazing finds. This year, oddly, no U.S. wines made the list -- I've written about a ton of sub-$20 American stunners in the past, but just didn't stumble upon a new fave over the last 12 months. (#2019goals!) Some surprises in there -- a white Rioja and a red Rioja Reserva... a Côte Rôtie... a Bordeaux... a white Port -- it's almost unheard of to find such quality from those regions at this low price point. But there is something here for everyone, every mood, every meal, every whim. Enjoy!

White: 


2015 CVNE Monopole White Rioja (Spain)
Light and zippy but also unctuous. Pretty darn tasty! Notes of white flowers, green plum, sugar snap peas (!!) pear, lemon, and straw, with a steely minerality. Easy going down but has a great presence. ~$12

Image result for Josef Ehmoser von den Terrassen Grüner Veltliner2016 Josef Ehmoser von den Terrassen Grüner Veltliner (Austria)
Lemon-lime citrus, herbs and white pepper, on the savory side. A stellar summer quaffer — refreshing, goes down easy, but has personality. This baby joined me at the beach on more than one occasion. ~$13

2016 Tania & Vincent Carême Terré Brulee Chenin Blanc (South Africa)
Heady nose of honeysuckle, with some yellow apple and white peach, but this baby is queen of shortbread cookie/toffee/straw/cloves/almond secondary and developed notes. Mouthcoating. Luxe. ~$19
Image result for Vila Nova Vinho Verde 
2017 Vila Nova Vinho Verde (Portugal)
White flower perfume, tangy spice, (even a little pepper,) peach and yellow apples, super tasty quaffer. Haven’t historically been knocked out by many Vinho Verdes, but this one stands out from the crowd. ~$12

2017 Yalumba Y Series “Unwooded” Chardonnay (Australia)
Florals, green fruits, citrus, stone fruits abound. Tropical and herbal too. With toasty, dough-y notes from lees contact. Lots going on but doesn’t punch you in the head. ~$12

NV Churchill’s Dry White Port (Portugal)
I am so glad this squeezed in (on a technicality, as it’s a 500ml sized bottle!) Medium gold color, with smoke, caramel, mandarin peel, nutty, and herbal notes. Intense, dense, rich, super-long finish. Just some initial caramel-ly sweetness at the start. Although it says "Port," this is really an aperitif or something creative to pair with a meal, NOT a “dessert wine!” ~$20 (h/litre: 500ml)

Image result for 2017 La Tour Boisée Minervois Blanc2017 La Tour Boisée Minervois Blanc (France)
This field blend of 6 southern French grapes is a little funky and savory, but florals and green fruits balance it out. Unctuous and rich (at 14%!) but still quaffable. ~$12

2017 Massimo Daldia Vernaccia di San Gimigniano DOCG (Italy)
Mouth-filling compact fruit, with elderflowers, lemon curd, ripe pear and quince, some nice grassiness, and unctuousness from lees contact. Creamy! ~$19

Rosé: 

2017 Cabernet de Saumur Réserve des Vignerons Rosé (France)
So tasty, and what a bargain! Rose petals, lime, red grapefruit, red and black fruits galore, some white pepper, rosemary, and flint. Over-delivers at ~$8

2017 Domaine Lafond Roc-Épine Tavel Rosé (France)
Fruity, spicy, loooooong finish. Tavel is a Southern Rhône region that ONLY makes rosés, and this is why. Cherry, strawberry, rasbperry, with roses, and tomato leaf, and herbs, and juicy nectarine, and watermelon, and white pepper, and, and, and. ~$19

Red: 

Image result for 2017 Ch. de la Bonnelière Rive Gauche Chinon
2017 Ch. de la Bonnelière Rive Gauche Chinon (France)
This is a heavy-duty (yet crowd-pleasing) red, with cherry, cranberry, blackberry fruit, and loads of earthiness—tobacco, cedar, leather, tea leaf— plus smoke, caramel toffee and buttery smoothness. ~$15

2016 Esporão Quinta dos Murças Minas (Portugal)
All the purple, all the time. Florals and fruit. Plus savory notes, caramel. Kind of a liqueur feel to the fruit, so warm and rich. LOVE. ~$17 (N.B. The Reserva of this wine is going to run you $30-40, but I was OBSESSED with the 2015 Reserva, so if you feel like a little splurge, definitely go there.)
Image result for 2016 Naroa Pinot Noir Gran Reserva

2016 Naroa Pinot Noir Gran Reserva (Chile)
Ticks all the boxes: floral, fruity, earthy, and spicy. Its refreshing high acid screams for food pairing, but this plush pinot is also great on its own. ~$17

2009 Ch. Haut Plaisance Montagne St-Emilion (France)
Great cassis, black cherry, blackberry fruit, with mocha, graphite, licorice, pepper. Tannins aren’t overbearing. An elegant experience, but this can improve too. ~$12

2016 Agniuli Primitivo (Italy)
Tasty and rich, with spiced rose potpourri, cherry, blackberry, plum, lifted by a clean eucalyptus note, and grounded with a bit o’ barnyard. Mouthcoating! ~$19

2016 Domaine Faillen Ste Marie Corbières (France)
Deep, dark, rustic, and intense, this Languedoc bruiser will pair beautifully with winter stews and roasted meats. Florals, blackberry, bramble, spice box, lavender/rosemary garrigue, and some funky merde and leather. Big-boy tannins hit hard, but smooth out over the finish. 14.5% alc, and only ~$13

Image result for opera lambrusco2017 Ca Montanari Opera 02 Lambrusco (Italy)
This is a dry style Lambrusco, which is a bubbly red from Italy. You get fresh dark berry fruits and a pleasant herbal earthiness, buoyed by the zesty pink bubbles. Easy drinking and a crowd-pleaser, even among all levels of wineaux. ~$17

2015 F. Merlin Côte Rôtie (France)
A Côte Rôtie for under twenty bucks?!? Crazy. Hugely intense, florals, black fruit salad, lavender, and a choco-vanilla thing going on. Elegant, rich, luxe, succulent, dense. Outstanding. ~$17

2012 Marques de Riscal Rioja Reserva (Spain)
This hearty red delivers! Lots of fresh black cherry, cassis, lilac florals, with herbs and spice, sage and licorice, and a foundation of mocha. Delish. ~$ 17

2016 Pierre-Marie Chermette Beaujolais (France)
Light, fruity, fun... but def not wimpy or too “girly,” this Beauj is holiday heaven. Great for gatherings all through the holiday season. The natural acidity pairs beautifully with food, and it’s comfy like a warm blanket. ~$16

EXTRA CREDIT:
2017 Terlan Pinot Grigio (Italy)
This baby narrowly misses the criteria, but I just HAD to include it, because it is truly a fantastic Pinot Grigio. It is rich, high in alcohol, unctuous, great flavors of chamomile, pear, melon, tarragon, lemon zest. This is NOT the neutral, blah, inoffensive PG your Auntie likes… but give it to her anyway! ~$22

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There you have it, Wineaux. Once again I ponder raising the bar to 25 wines under $25, because there is so much goodness in the $20-25 range. Perhaps next year!

May we all drink well in 2019...

Cheers!